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Bishop Construction, Construction, Pleating, SAGA, Smocking, Uncategorized

More Pleating Part 3

The next challenge in my pleating adventures is to tackle a method of bishop pleating that requires the pieces to be pleated before stitching the underarm seams.  I like to call it the Release and Rethread method.  It takes longer and requires a lot of concentration but it is a no fail method to totally hide seams.  Your bishop dress will appear totally seamless and smooth.  No ugly bumps that are created when the seams are caught up in the pleat during the typical pleating method.

The first step is to carefully lay your pieces in order.  Pleaters vary in the way the needles pierce the fabric in the rollers.  Some pleat with the longer stitches on top and other pleat with the longer stitches on bottom.  “Long is wrong” is the cardinal rule for pleating so it’s important that you understand how your pleater works.  The dress pieces should be laid out according to how your pleater pleats: right side up or wrong side up.

Pleat the first piece and clear it from the needles and unthread them.  With the right side of the fabric facing you, remove the threads and pull them out of the seam allowances, usually 1/2″ on each side of the pattern piece.  Make sure the pleating threads are coming out of the right side of the fabric.  You want to make sure your seam allowances will be falling to the wrong side of the garment.

Next, start pleating the sleeve, making sure the you have the correct sleeve piece.  For a back opening bishop, you will need the back of the sleeve to go through first so that it matches the back armhole of the first pleated piece.  The opposite would apply for a front opening bishop.  In that case, you have pleated one front already and need the front sleeve seam to go through the pleater first to match up with the front of the dress.  When the pleats start to build up on the needles, CAREFULLY pull off the seam allowance and flip it either up or down.  If you are pleating right side up, flip the seam allowance down.  If you are pleating wrong side up, flip it UP.  Be careful to have all your seam allowances on the wrong side of the dress.

 

Clearing the seam allowance from the pleater needles

 

Now that the seam allowance is free, carefully rethread the pleater with the same threads that are coming out of the first pleated piece.

 

Rethreading the needles for bumpless bishops

 

Make sure the pieces are all facing the same way and the pleating threads don’t get crossed as you rethread.  Continue pleating the sleeve and pull it completely off the needles just like you did for the first piece.  Clear the threads from the seam allowance, making sure the seam allowance will fall to the wrong side and continue the steps until the whole bishop has been pleated.

  1. Pleat
  2. Remove threads and clear seam allowance
  3. Pleat
  4. Pull seam allowance off needles and rethread
  5. Go to step 1 and repeat

When you are finished you should have no crossed threads, all the seam allowances on the wrong side and all the pieces in the proper order.

 

Bishop pleating without stitching the seams

 

Now it’s time to sew.  Basting is a crucial first step to sewing up the seam and making sure the pleating threads stay aligned.  Fold the seam so that the right sides are together and hand baste.  What I did to insure perfect alignment is to use the same needle holes of the pleating threads. I didn’t get a picture of just the basting but you can see it in the next steps.  Come up through the same holes in one row, go down through the same holes in the next row.  Then you machine stitch 1/16 of and inch from that basting line to form your valley.

 

Creating a valley for the bumpless bishop

 

 

 

I think you can see the basting line best in this picture.  Right where the pleating threads end, you can see a basting stitch between the two rows in white thread.

There are several options to finish the seams.  You can serge them, but if you are making an heirloom style garment you probably want to use on of the other methods.

Here I’ve done a Faux French seam by turning under the raw edges and stitching along the fold.

 

Faux French Seam

 

Here I’ve done a simple overcast edge.  The stitches are very tiny and hard to see but I think you can get the general idea.

 

Overcast Stitch on Pleated Seam

 

I’ve never worked with this method before but now that I’ve tried it, I plan to use it more often.  It’s definitely less stressful than pleating French seams and holding your breath as they go through the rollers.  You just have to concentrate and remember all the steps in order.  And even if you forget, you only have to go back and repleat one piece, not the whole dress! I call that a win right there.

My next lesson is double pleating.  As my daughter’s got older I had to figure out that technique all by myself.  This was almost 30 years ago and limited resources were available!  I  muddled through and got the dresses made but now maybe I can learn a few new tricks to make it easier!  Stay tuned.